Lean a Ladder against Heaven

The director describes the process of shooting her new documentary

Lean a Ladder against Heaven (Opři žebřík o nebe, Jana Ševčíková, 2014)

In 2008, I read an article in Mladá Fronta daily about a charismatic priest from the small village of Žakovce under the Tatra Mountains. I stopped by there in the summer of the same year as I was hiking with my family in Slovakia. First it was hard to get to him. In the end I managed to arrange a five-minute meeting which then lasted one hour. I asked whether I could come back with a tape recorder, as I always have to get familiar with the people and the place before I decide to make a film. He replied that they were neither calling anyone nor throwing anyone out; that everything was in God’s hands.

First I stayed for more than two weeks and then I would go to Žakovce throughout the year. Marián was mostly with the men, I would go with them to morning and evening masses, to the woods to collect wood, to demolitions, to Roma settlements, to meetings. Later I had a chance to get closer to the community of women, who lived 4 miles from the presbytery and would commute every day for masses and work. I had to find my own space among these people. Gradually they started opening their hearts to me. The method of approaching both sides enabled me to observe priest Marián from a distance, from the perspective of people he had helped or was still helping. I have perceived it as a way to create a multi-layered portrait.

Lean a Ladder against Heaven

Marián’s role remained constant on the surface; which challenged me even more to go deeper and establish greater intimacy. On the contrary, the life stories of those he was helping were totally unpredictable. For instance, we have shot five returns and departures of one of the local alcoholics. During the five years of shooting, there has been a shift in the life of each of those people. In a way, their stories represent an answer to the question whether Marián’s effort makes any sense.

People who would come to the presbytery could not often tell the priest from the other men from the distance. In the morning, he would distribute work and drudge with the others in a shabby coat. At noon, he would stop the work and they would all go to the chapel to tell their beads. Sometimes he would wear muddy boots, sometimes a torn shirt. There were moments when he would get mad and bawl the men out. He behaved naturally and yet he was willing to sacrifice himself for those people.

Lean a Ladder against Heaven

In my previous documentary about children from Gyumri, Armenia, who were named after their deceased siblings and were turning into them gradually, there was a moment when I wanted to stop shooting and stop making the film, as I had no strength to go on. To me, the film about Žakovce and primarily about Marián meant a renewal of inner joy and meaning of existence. The meaning of humility. The meaning of sacrifice.

Photo: Author's archive

Jana Ševčíková

Jana Ševčíková (1953), independent director, screenwriter, producer. She is renowned primarily for her documentary The Old Believers (2001) about a Russian religious minority of the Bespopovtsy living in a Romanian village at the Danube Delta. Her other documentaries include Jakub (1992) focusing on Ruthenians living in Romania‘s mountains and Gyumri (2008) capturing the parents of children who died at the earthquake in Armenia in 1988. Her films have won numerous awards and were screened at a whole range of leading festivals across the world. Paradoxically, her works are renowned internationally but less known in the Czech Republic.

Lean the Ladder against Heaven will be screened at the documentary competition at Karlovy Vary International Film Festival.

Translated into English by Tereza Chocholová

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starší články

30. 06. 2014

from current issue:

New releaseShooting About KunderaDocumentarian Miloslav Šmídmajer describes the process of making a documentary about Milan Kundera with the working title “Milan Kundera: From the Joke to Insignificance.” Miloslav ŠmídmajerThemeNest in the bedroomPeter Hames, well-known British film historian and author of the book The Czechoslovak New Wave sent his remembrance to Karel Vachek to our magazine.Peter HamesThemeNever stop laughingPaolo Benzi, the Italian film producer and founder of the independent film production company Okta Film, describes for dok.revue how he met famous Czech documentary filmmaker Karel Vachek, who passed away last year. Paolo Benzi is also the main tutor of the Emerging producers in Ji.hlava IDFF.Paolo BenziThemeBehold, if the river is turbulent he is not frightenedIn this English issue of dok.revue we have collected some remembrances to Karel Vachek, the respected Czech documentarist who died in December 2020 at the age of 80. One of the contributors is Olaf Möller, a well-known film theorist and critic collaborating with many renowned film magazines (Film Comment or Sight & Sound), film museums and festivals (e.g. Il Cinema Ritrovato or International Film Festival Rotterdam).Olaf MöllerThemeEvery human being should get to wear comfy shoesThe Czech documentarist Karel Vachek was a chairperson of the jury at Yamagata international documentary film festival (YIDFF) in 2009. The board member of YIDFF and the former director of this festival, Asako Fujioka, has a remembrance of him smoking his pipe and going to the mountains with Japanese poet and filmmaker Yoshimasu Gozo to recite poetry to the skies.Asako FujiokaThemeLike the dog on the beach...American film historian Alice Lovejoy writes her remembrance of Karel Vachek, the remarkable Czech documentarist to whom we dedicate this English issue of dok.revue.Alice LovejoySportPandemic as an opportunityJi.hlava's Emerging Producers discuss the opportunity that can emerge from crisisSteve RickinsonInterviewThe times of lifelong careers are overAn interview with documentarian Jindřich Andrš, whose film A New Shift won the Czech competition section Czech Joy at Ji.hlava IDFF2020.Vojtěch KočárníkInterviewGoing to the Polish Turf with Our Own TeamInterview with documentary filmmakers Filip Remunda and Vít Klusák about their latest joint film project Once Upon a Time in Poland that shows how religion and faith are misused in contemporary Poland for mass manipulation and political purposes. The film‘s Czech premiere was held as part of the Ji.hlava International Documentary Film Festival 2020.Kamila BoháčkováIntroductionDok.revue 1.21This issue is dedicated to the doyen of Czech documentary filmmaking Karel VachekKamila Boháčková

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