An illuminated parade passed through the streets of Jihlava

20th Jihlava IDFF has begun

On Tuesday evening, several figures set out on their way from the Lighthouse erected on the Masaryk Square. The parade carried illuminated artefacts that dominate this year’s Jihlava IDFF’s visual concept. The theme of carrying our past on our backs has thus become tangible.

Film experimenter Bill Morrison making an appearance in Jihlava. In his masterclass held today, he will discuss his work with damaged film material. Two of his latest films – Spanish travelogue The Dockworker’s Dream and Little Orphan Annie with touches of the horror genre – will be shown as part of his retrospective and personally introduced by the author.

“An archive is like a port, a place where goods are loaded and unloaded, stored, until the dockworkers release them from the storage again. As a film theoretician and editor, I search for hidden or elusive film material,” says Bill Morrison, commenting on his latest film.

The section entitled Russian Avant-garde will present pivotal works of Soviet filmmaking avant-garde of the 1920s a ‘30s. Russian film avant-garde in a nutshell: first comes Dziga Vertov, followed by everyone else. Festival visitors will be able to witness the first dialogue between Dziga Vertov and Mikhail Kaufman tonight at 11 PM at the DKO II. Their films Stride, Soviet! (Dziga Vertov, 1926) and Moscow (Mikhail Kaufman, Ilya Kopalin, 1927) will be accompanied by a solo guitar performance by Jan Kašpar and his project Obelisk of Light together with colleagues of the Raw Deal.

The soundscapes for Russian Avant-garde titles shown on Saturday, October 29, will be created by composer, choir leader and pianist Karel Loula, duo Ba:zel, and duo Afrika Corpse underscoring films Turksib and A Sixth Part of the World with their minimal music.




F1.16DOK.REVUE
26. 10. 2016


from current issue:

New releaseShooting About KunderaDocumentarian Miloslav Šmídmajer describes the process of making a documentary about Milan Kundera with the working title “Milan Kundera: From the Joke to Insignificance.” Miloslav ŠmídmajerThemeNest in the bedroomPeter Hames, well-known British film historian and author of the book The Czechoslovak New Wave sent his remembrance to Karel Vachek to our magazine.Peter HamesThemeNever stop laughingPaolo Benzi, the Italian film producer and founder of the independent film production company Okta Film, describes for dok.revue how he met famous Czech documentary filmmaker Karel Vachek, who passed away last year. Paolo Benzi is also the main tutor of the Emerging producers in Ji.hlava IDFF.Paolo BenziThemeBehold, if the river is turbulent he is not frightenedIn this English issue of dok.revue we have collected some remembrances to Karel Vachek, the respected Czech documentarist who died in December 2020 at the age of 80. One of the contributors is Olaf Möller, a well-known film theorist and critic collaborating with many renowned film magazines (Film Comment or Sight & Sound), film museums and festivals (e.g. Il Cinema Ritrovato or International Film Festival Rotterdam).Olaf MöllerThemeEvery human being should get to wear comfy shoesThe Czech documentarist Karel Vachek was a chairperson of the jury at Yamagata international documentary film festival (YIDFF) in 2009. The board member of YIDFF and the former director of this festival, Asako Fujioka, has a remembrance of him smoking his pipe and going to the mountains with Japanese poet and filmmaker Yoshimasu Gozo to recite poetry to the skies.Asako FujiokaThemeLike the dog on the beach...American film historian Alice Lovejoy writes her remembrance of Karel Vachek, the remarkable Czech documentarist to whom we dedicate this English issue of dok.revue.Alice LovejoySportPandemic as an opportunityJi.hlava's Emerging Producers discuss the opportunity that can emerge from crisisSteve RickinsonInterviewThe times of lifelong careers are overAn interview with documentarian Jindřich Andrš, whose film A New Shift won the Czech competition section Czech Joy at Ji.hlava IDFF2020.Vojtěch KočárníkInterviewGoing to the Polish Turf with Our Own TeamInterview with documentary filmmakers Filip Remunda and Vít Klusák about their latest joint film project Once Upon a Time in Poland that shows how religion and faith are misused in contemporary Poland for mass manipulation and political purposes. The film‘s Czech premiere was held as part of the Ji.hlava International Documentary Film Festival 2020.Kamila BoháčkováIntroductionDok.revue 1.21This issue is dedicated to the doyen of Czech documentary filmmaking Karel VachekKamila Boháčková